李曉蒙

2015-2020美國俄亥俄大學(Ohio University)，大眾傳播博士      

2011-2013美國芝加哥藝術熊猫(The School of the Art Institute of Chicago)，新藝術新聞碩士

2007-2011美國威爾遜大學(Wilcon College)，大眾傳播學及藝術雙學士

代表論文👜🧑‍🧑‍🧒：

Li, X. (2023 即將出版) “I Feel Like a ‘Cyber-Gypsy’”: BL Fanfiction Writers in China’s Changing Landscape of Fandom Culture.Journal of Popular Culture. 56(2). (SSCI)

Li, X. (2022). “Yea I’m a f* Tomboy”: “girl crush,” postfeminism, and the reimagining of K-pop femininity. Social Semiotics. Social Semiotics. (Online first). (SSCI)

Ng, E. & Li, X. (2022). Brand nohomonationalism: guofeng (“National Style”) framings of boys’ love television series in China. Asian Studies Review. (Online first). (SSCI)

Li, X. (2021) Constructing the ultimate “leftover women”: Chinese media’s representation of female PhDs in the postsocialist era. Feminist Media Studies. (Online first). (SSCI)

Li, X. (2020) How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics in China. GlobalMedia and China. Vol. 5, No. 1. (ESCI)   

Ng, E. & Li, X. (2020, June). A queer ‘socialist brotherhood’: the Guardian web series, boys’ love fandom, and the Mainland Chinese stateFeminist Media Studies Vol. 20, No. 4. (SSCI)

Li, X. (2017, Fall). Political opportunity, new media, and environmental movement—case studies of Xiamen and Maoming anti-PX protest.American Review of China Studies (ARCS) Vol. 18, No. 2.

Li, X. (2017, June). The entanglement of signs: examining the political turn of Internet memes in China. Conference Proceedings: “Global Realities: Precarious Survival and Belonging” ISSN: 2187-4751

會議論文：

Li, X. (2022. 11). 空間超越時間，希望超越恐懼🛌🏽🔙，現在超越過去——毛主席紀念堂與林肯紀念堂的比較研究🚴🏼。傳播與中國·復旦論壇。

Li, X. (2022. 5).“I Feel Like a ‘Cyber-Gypsy’”: BL Fanfiction Writers in the Changing Landscape of Chinese Fan Culture. 2022 International Communication Association Convention.

Li, X. (2021.11). 日本智能手機APP遊戲的國際傳播對中國流行文化軟實力提升的啟示
 ——以《Love Live! School Idol Festival》為例。數字城市🧏🏻：傳播研究的本土化創新——傳播與中國·復旦論壇。

Li, X. (2021.11). Constructing Desire: “Femvertising” and Postsocialist China’s Transformation of Female Empowerment.The 107th NCA Annual Convention（美國全國傳播學會年會）。

Li, X. (2021.5). Love and Producer vs. The Producer: A Case Study of Female Game Players’ Negotiation with Their Representation, 寧波諾丁漢大學“百年中國電影🎱：過去、現在🛐、未來”研討會

Li, X.& Ng, E. (2020) Queerbaiting and queer excess in contemporary China: examining producer, viewer, and state practices around the Guardian web series. The 2020 MLA Annual Convention.

Li, X.(2019) How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics. International Communication Association Annual Convention (ICA).

Li, X.(2018) National heroes at stake: A comparative study of the mausoleum of Mao Zedong and the Lincoln Memorial. The Asian Conference on Cultural Studies.

Li, X. (2018) Changing destiny or commercializing singlehood—A critical discourse analysis of SK-II’s Advertisement on “Leftover Women.” Broadcast Education Association Annual Convention (BEA).（該文獲此次會議“文化多樣性類”最佳論文獎及 “性別研究類”論文第一名）

Zhang, C. & Li, X.(2017) Ghost in the Shell: Mapping the Orientalized city through the heroine cyborg's fighting. National Communication Association Annual Convention (NCA).

Li, X.(2017) The entanglement of signs: Examining the political turn of Internet memes in China. The Asian Conference on Cultural Studies.

Li, X.(2017) Political opportunity, new media, and environmental movement—Case studies of Xiamen and Maoming anti-PX protest. International Communication Association Annual Convention (ICA).

Li, X.(2017) Less confrontational but still revolutionary—Proposing “Third Cinema with Chinese Characteristics.” Popular Culture Association Annual Convention (PCA).

Li, X.(2016) Higher education as failure? Unmarried female PhDs in Chinese Media Representation. Global Fusion

上海市“浦江人才”計劃🐘：《用新媒體🫁、新青年、新文化講好中國故事——“粉絲文化”與中國國家形象的對外傳播研究》2021-2024